Overtly gay displays on a cricket field are often misinterpreted as an element of "The Method" but are, in fact, merely "fruity"..

Not to be confused with the acting technique in which actors try to replicate in real life the emotional conditions under which the character operates, in an effort to create a life-like, realistic performance, "method acting" in the Grades cricket environment, refers to a range of techniques, employed by players, (usually of a poorer standard) to enhance performance, often at the risk of ridicule from opponents and team mates alike.

Most of the techniques employed are specially adapted methodologies or mannerisms utilised by professional cricketers although some can be attributed to other sports or activities. Some notorious examples of method acting have become established as bona fide, such as Graham Gooch's batting stance which was deemed suitable to be coached to youngsters by the ECB.

Method acting is most commonly practiced by batsman and bowlers, although many wicket keepers and fielders use it to some degree. A true method actor applies his techniques to all aspects of his cricket experience, even extending into post match hospitality. (Such a person is likely to wear a blazer or cap from some obscure former club).

Some notable method actors

Hamish McDougall (Cults): when fielding, Hamish will spit into his cupped hands and rub just as the bowler starts his run up and he, himself, walks in with the bowler.

Dave Goulding (Kintore): his batting stance involves a protracted "dance" of wiggles, scrotum scratches and cap tapping.

Andy Meres (Bon Accord): spits, at least once, into the popping crease, before each delivery.

Mac Ahmed (Bon Accord): shouts "Look for three" attempting a quick single.

Stoneywood Dyce: notable to be the one known instance of mass method acting. Those involved with the club, including supporters and family, constantly wear club shell-suits, adopt South African accents and liberally sprinkle the word "lamb" into every other sentence.